Music writing
Natasha Bedingfield: ‘Prince told me to come over any time – but didn’t give me his number’
Why Jolene remains the best country song of all time
The day Starsailor fired Phil Spector: ‘He span around, frothing at the mouth’
Take That, BST Hyde Park review: a dizzying, jubilant triumph of pop music at its very best
‘George Michael couldn’t have done it without Andrew Ridgeley’: the inside story of Wham!
Lana Del Rey brings glamour and mystery to Hyde Park - live review
First Aid Kit on sexism in folk: ‘We had to prove ourselves to the nerdy beardy fans’
America rejected Tina Turner – but British synth-pop saved her soul
The trouble with Macy: Macy Gray interview
James Bay: ‘To be a man talking about mental health still doesn’t feel accepted’
Coldplay interview: Rush Hour
Move over, Taylor Swift, Maisie Peters is coming for your crown
James Arthur on how fame wrecked his mental health: ‘I thought I was going to die’
Steps interview: ‘We all know how dark it can be at the bottom’
Golden rule: Ja Rule interview
Paul McCartney interview: Barefoot in India, 30 years on
Why Burt Bacharach was addicted to falling in love – over and over again
Christine McVie’s 10 best songs
Bananarama interview: ‘As women, we were sidelined and disregarded’
Liam Gallagher’s triumphant return to Knebworth almost felt like an Oasis reunion
The rise of Tones and I: how an unknown Australian busker outsold Ed Sheeran
‘When you get to a certain age, paranoid punk no longer connects’: why Primal Scream went soft
Lana Del Rey, Blue Banisters, review: perhaps we don’t know this star as well as we thought
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